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Posts posted by MemX
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Continuing my unintended trend this week of watching sea-based films last night was Life of Pi (3D). Similar premise to All Is Lost but somewhat cheerier... lol
Good depth to the bass, although only occasionally dramatic and substantial, but overall a great production, and the 3D did add to the film.
I will have to watch U-571 and Das Boot later in the week... lol
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I may well follow your lead on that lol
We watched All Is Lost tonight - man, that's a cheery film... lol
And slow!! Seriously, sometimes I just wanted to shout at him to hurry it up
That said, at the end it did make me think so I guess that's the point of the film, and the mix was great, the thunder was nicely done
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Managed to pick up some great deals in a 5-for-£30 offer, including Olympus Has Fallen.
I think I'm in serious need of a house curve once I've sorted my EQ out, I wasn't massively impressed with the monument scene running it flat-as-audyssey-calibrated-it, but re-running it something like 10dB hot was a lot more fun... lol
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Finally managed to watch Oz tonight after I spotted a bargain a few weeks ago - storyline is a bit schmaltzy lol but sound is great, love the deep stuff from the green witch! Only had it around -17 as th missus was watching it with me but the end bit is definitely demo-worthy and might have to get played loud tomorrow morning lol
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Cheers!
I've never really thought much of that scene myself TBH (or the rest of the film lol)
I'll have to re-watch it!
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Harry Potter 6:
Harry Potter 7 part 1 and 2 (scroll down):
Oh cool, cheers!
I couldn't see them in the list on the first page of this thread!
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Just to link to Bosso's post in the http://data-bass.ipbhost.com/index.php?/topic/316-earth-to-echo-discussion-poll/'>rating thread, Earth to Echo looks good!
Man, I wish I'd seen your level rating of 5 stars before I popped this one in, Abraham.
I was running the SW out at +7dB for a weak sauce-level flick and forgot to reset it flat. I had to jump on the remote and back it down.
This SpecLab cap runs over a minute and ten seconds and it didn't get the whole effect on the screen! This cap was made with the subs at +2dB hot. Check out the waveform... maxed out and RELENTLESSLY getting stronger as the scene progresses. Also, check out the twin sine sweeps buried in there at 35 Hz and 40 Hz, slowly rising to 40 Hz and 45 Hz for 20 seconds!
Bosshog shit, this one is.
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I am failing to get the excel spreadsheet working right now on this stupid computer, but are the two last Harry Potters on the list to be done at some point?
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Oh man... Loudness wars indeed. That has got to be the closest any track has come to 2-Star Dynamics.
JSS
I believe Frankenstein's Army managed to get a 2 Star for dynamics!
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Both Batman Begins and The Dark Knight had completely unfiltered LCRS....Only the LFE had a small rolloff, BassEQ solutions for both in the future to make them powerhouses on par with WoTW, TIH, etc....
JSS
I didn't know that! There is hope, then...
Keep up the good work on the re-EQing!
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I've just watched Interstellar at the cinema.
Please, please, please, pleeeeeeeeease let it be unfiltered when it comes out on BD!!!
Great dynamic range, sudden sharp transients, luxuriously long passages of bass, all of it fitting to what's on-screen... If it is unfiltered, I reckon this one could be a sub killer, potentially!
Fingers crossed!
(Don't hold your breath, though - as a Nolan film I fear the same fate as the Dark Knight mixes... )
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Thank you, kind sir!
Maleficent looks pretty beasty!
HTTYD2 is a massive wasted opportunity.
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bao - check out the Bossobass system thread in the Bass Systems part of the forum - there are several images in there showing 9 has content down to low single-digit Hz at quite high levels, but as noted above, it sounds like you prefer distinct, separate sweeps, rather than full-bandwidth content.
What system are you running?
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+1 on Elysium even though it's not one of my favourites I agree on the comments. I also place Dredd in a similar category. That film kicks ass but definitely not as loud as other films I've watched. Turn it up and it's brilliant.
Say whaaaaaat?
Do you have the US BD? (7.1 DTS, I think?)
IIRC the UK BD is 5.1 and, IMO, it's ridiculously loud... -6 on the opening sequence feels like I've been physically assaulted yet -6 on Oblivion is just a little bit too loud during speech but fine otherwise.
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Phantom:
Level - 5 Stars (115.4dB Composite!)
Extension - 5 Stars (8Hz)
Dynamics - 5 Stars (28.1dB)
Execution - 4 Stars by Poll
Overall - 4.75 Stars
Recommendation - RENT.
This film is riddled by clipping. Attached is how much. Clipping is in red. Channels are L, R, C, LFE, SL, SR.
Very impressive PvA, a little something for everyone in it.
JSS
I'm late to the party on this one (mainly because I refuse to spend more than £6 on a blu-ray unless it's exceptional or 3D, so get things months after they come out ) but I'd agree with the ratings on Phantom - nice balance of vocals and big dynamic hits, with some super-deep stuff you can feel, through to some 'woah!' hits Couldn't really turn it up as downstairs was in, so will be rewatched at a suitable point!
Acting/story was slightly cheesy/cliché at times but the history behind the story and the ending was sobering.
Overall, worth a rental or cheap buy, definitely.
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Thanks very much for your detailed reply
If there is a choice then I guess one could listen to one track then re-watch the film with the other track, to see which is better / more preferred, but that does take quite a lot of time... lol
I think I will look through my collection and see if I have any that have a choice of audio tracks, and will spend some time doing some comparisons, perhaps!
I just finally got Project X measured, so it'll be posted in the relatively near future.
Sweet! I will look forward to it, thanks for doing it for us
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So I had to edit my post again about "The Fifth Element" and "OZ The Great and Powerful". It turns out that *neither* film advertises a copy of the theatrical mix. I'm not sure how I got this wrong in my memory for Oz. In the case of The Fifth Element, both a PCM and True HD mix are included. I probably ascertained that the PCM mix was a theatrical mix by how bright it sounded without an X-curve applied. Nevertheless, the True HD mix sounds just as bright. The levels also appear to be similar if not identical. It's close enough that I wouldn't argue for any difference without looking at the data to confirm.
So having established that neither disc necessarily contains a theatrical mix, I have nothing to compare at this point. Is anyone aware of any Blu-ray discs that do explicitly advertise inclusion of the theatrical mix? I know I've seen (either here or elsewhere) speculative discussion that the DD 5.1 mix on Prometheus is a theatrical mix, based on the subjectively substantial difference between it and the lossless mix, with many commenting that the DD 5.1 mix sounds better and has more bass. Of course, I read reviews of "The Fifth Element" that claimed either the PCM or True HD mix to be superior when in fact they may be identical.
All this makes make more eager to get at the audio data on the discs to do some loudness measurements. If/when I get around to doing this, I'll gladly share my methods and results.
I am still confused which I should be choosing if there are different mixes on a disk
My AVR defaults to DTS-HD Master if it's an option, but I watched something the other night in PCM Lossless rather than the other, dolby digital 5.1 mix on the disk, and I think it sounded better than the DD option when switching between them.
Which is 'better'??
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Project X used an 'octaver' function on the music at times and boosted the octave down content by 10-20dB. It is a POWERFUL effect! Too bad 99% of all cinema-goers did not experience it.....
JSS
I re-watched this yesterday morning at anywhere between -6 and Reference to get my pre-work bass hit
Has some great depth, loads deeper than just about any other music track I've heard, bar bass test tracks!
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Cool, cheers for the link
I meant scare as in they won't be expecting a massive hit of sofa-rumbling bass if it's mainly a speech movie
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The Terror Live (5.1 DTS-HD MA)
Level - 4 Stars (110.74dB composite)
Extension - 5 Stars (1Hz)
Dynamics - 5 Stars (29.11dB)
Execution - Will poll
Overall - TBD
Recommendation - Will poll
Notes: This is from the Korean Region A disc, Korean language track. Almost all of the bass effects are completely full-bandwidth, with zero filtering, and the big stuff on screen is appropriately weighty below 20Hz in almost all cases.
PvA:
Is that this one?
http://www.amazon.com/The-Terror-Live-Blu-ray-Region/dp/B00HSJHJD2/
I can't find it on Amazon UK!
The Railway Man (5.1 DTS-HD MA)
Level - 2 Stars (105.37dB composite)
Extension - 5 Stars (1Hz)
Dynamics - 5 Stars (38.62dB!!!)
Execution - Will poll
Overall - TBD
Recommendation - Will poll
Notes: Holy shit, look at that dynamics score - highest recorded yet!!! Not really a bass movie, but when it does have bass, it legitimately reaches into the single digits.
PvA:
Ooh, that looks like a prime 'surprise' disc for scaring unsuspecting visitors with
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I think I've bought that one, I need to watch it!
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Cool, thanks!
I'll stick it in my basket and just wait for it to get to under $10 lol
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I can't find this on Amazon.co.uk - is it this one?Bears (5.1 DTS-HD MA)
Level - 2 Stars (105.64dB composite)
Extension - 4 Stars (13Hz)
Dynamics - 5 Stars (29.16dB)
Execution - Will poll
Overall - TBD
Recommendation - Will poll
Notes: With its stunningly beautiful cinematography, this one has full-bandwidth content and sound design to match, but it's never overwhelming. Bears wouldn't normally be referred to as a bass movie, but it's a very good family movie, if you can get over the annoying narrator.
PvA:
http://www.amazon.com/Disneynature-Bears-Two-Disc-Blu-ray-Combo/dp/B00GPWERCO/
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Nice, easy fix is good!
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Damn, wish I had some cash for those amps!