That's cool, I was thinking about boosting the bottom end (via a larget back chamber?) to get a flatter FR. Or would multiples (open air) do the trick similar than horn stacking? I know you get the biggest benefits by making a cluster, but I'm not a fan of that. I'd either go with one per side for smaller shows or a row of 4/6/8 along the stage front. Ya know, beamforming n stuff
I mixed a show for around 1600 guests a while ago and there was a center bass cluster of 4 SB218. When mixing so that the FOH had a decent bass level 20m from the stage, the first row near the subs was in for a hell of a ride. When hearing complaints about the kickdrum, my question 'where did you stand?' was always answered by 'right in front of the stage'. I don't wanna do that when I'm in charge of the PA.