Jump to content

Infrasonic

Members
  • Posts

    942
  • Joined

  • Days Won

    53

Posts posted by Infrasonic

  1. Sold!

     

    Any one interesting in getting into immersive audio?

     

    I've got an item for sale.

     

    In like-new condition. Includes everything with original box. Trading up on this 6 month old unit to the Yamaha CX-A5100. Works great, sounds great!

    Product information: http://usa.yamaha.com/products/audio...a3050_black_u/

    Only six months old. Has all the modern bells and whistles including 7.1.4 support for Dolby Atmos. DTS:X update due in March 2016.

    Still goes for ~$2,000 new. Asking $1,400 shipped to the lower 48 states. Accepting Paypal, no fees required.

  2. Because they still have not installed proper sound monitoring in the studios.

    That is the only reasonable explanation for this.

    The sound designers and mixers work with what they hear, and if they can not hear or otherwise experience it, it will only be noise appearing on the spectrum analyzer (if the spectrum analyzer even shows what goes on below 20-30hz.. in a studio I have visited it does not..).

     

    This is EXACTLY why.

  3. Not really. I saved one graph from EoT but with all the things going on that day I did not properly document your system with the app.

     

    Though I will say... the single reading I took was heavily clipped which isn't good data but it simply means "holy shit!". So... you're doing pretty good. :)

  4. I'd be interested in your real-life reaction to using Vibsensor with your frequency response graphs.

     

    Great. Now repeat that on somebody else's system similar to yours like Adam's.

     

    Paul, get a video of your dad's mind being blown and his world turned upside down.

     

    Seriously. Vibsensor measurements changed everything. Measuring frequency response is only a part of the experience, what the mic hears. Vibsensor is the other half, what we feel.

     

    Try it out. It's free.

  5. I had a similar experience in my room a month ago. Was doing some EQ revisions with my sub system and did A LOT of tinkering. So I ended up with a totally flat response to below 15hz with no EQ filters at all. I was astounded. But... even though I had a perfect response at the seat, something was missing. Maybe it wasn't loud enough but something was off, way off. Well...something was off. Almost all my subs. Had forgot to re-raise the levels for all but two of my subs so it was just the two nearfields going alone. It was still loud actually (not surprised with four 18's) but even with a totally flat to below 15hz response the experience was just "meh" at best. Anyway, found out a couple days later and fixed it. Now back in business!

     

    But anyway... frequency response is super important, obviously but it's not everything. Working with the Vibsensor app and taking measurements of my own system was a huge eye opener to me. I found that this is the missing link in the puzzle to situations like you experience with your friend and that MANY of us deal with from room to room, system to system. If you're not using Vibsensor with things like REW, Omnimic, SpecLab... then you're not seeing the whole picture. It's time to get with the times and evolve, folks. Measuring just the FR alone is like living in the dark ages.

     

    Wait... what the f*** does this have to do with this awesome driver? :D:P

     

    My bad. Carry on. :)

    • Like 1
  6.  

     

    Clearly this isn't a type of driver for every app or everyone. Thankfully we have a large selection of choices to fit everyone's personal preference.

    Feel like I've said this a lot lately but.... the best value (sub driver or bass system) does not mean it's the "best".

    It takes all kinds and I like it like that. Who all wants to own the same system? I don't.

  7. Haha! Thanks guys. :)

     

     

    Only reason I said 'not enough speakers' is that if anyone on this earth is going to have true 64-channel cinema ATMOS in their room, it'll be Scott...

     

    JSS

     

    As we discussed at Brandon's... there is no more room to expand for current home Atmos. There is only one option, a $30,000 option at that. Buy a Trinnov Altitude32 which would support up to 32 outputs and handle it in full with Dolby Atmos.

     

    No thanks. I bought a car instead. :P

     

    But in actuality I am pushing the envelope with current Atmos. It can only go "up to" 7.1 + four overhead speakers right now. I'm using external processing to get another two "channels" and it works but further complicated the whole setup. Really it is set-and-forget so it's just an additional thing to do.

    Using this I run a 7.x.6 speaker system.

     

     

    "Cables

     

    copper ones"

     

    LOLOL!

     

    Um, yeah Scott, think there's room for a few more speakers in there, I can see a couple blank spots on ceiling and side walls.

     

    You happy with the Yamaha? I'm looking at picking one up.

     

     

    I know, right. I need MOAR!!! :D

     

    I love it. I has a couple things that bug me but otherwise it is fantastic and does pretty much everything I want and needed. Would recommend, for sure.

  8. KlGZTTfKlGZTTfKlGZTTfKlGZTTfl.jpg 6CTcVOml.jpg?1qIElAdrl.jpg
    r3FhYlrl.jpg EXyjc3ll.jpg mse9I3Xl.jpg Mvfq0nrl.jpg hQFUF0Nl.jpg Uy6pRDrl.jpg



    Equipment List

    Sources

    Oppo BDP-103d Universal Blu-ray Player

    AV Electronics
    Yamaha CX-A5100 preamp processor
    Harman Kardon AVR-525 A/V Receiver (Atmos-EX overhead center extraction)
    Harman Kardon AVR-520 A/V Receiver (Atmos-EX overhead center extraction)
    (3x) Behringer Pro DCX2496 Ultradrive Pro

    Amplifiers
    (3x) Samson SX1200 amplifier (mid/hf)
    (3x) Behringer EP4000 amplifier (midbass)

    Behringer NU4-6000 iNuke amplifier (side and rear surrounds)
    Behringer NU4-6000 iNuke amplifier (bridged - rear subwoofers)
    Behringer EP2500 amplifier (subwoofer riser)
    Cerwin Vega CV-5000 amplifier (front subwoofers)

    Projector
    Sony HW-40ES 1080p 3D Projector

    Screen
    Seymour AV Center Stage UF material (DIY frame - 126" diagonal 16:9 acoustically transparent)

    Speakers
    (3x) Custom 3-way cinema LCR speakers
    - (JBL Pro 2226j 15" midbass, 10" midrange hornloaded, SEOS12 hf horn Denovo DNA-360 compression driver) - full active
    (4x) JBL Pro 8330 surround speakers
    (6x) Emotiva ERD-1 bipole/dipole surround speakers (front, mid and rear overhead)
    (4x) Dual Opposed sealed 18" subwoofer (DIY - Stereo Integrity HT18d4)
    (2x) Dual Opposed sealed 18" subwoofer (DIY - Sound Splinter RLp18d4)
    Subwoofer Riser (DIY - 2x Sound Splinter RLp18d4)

    Acoustic Materials
    Owens Corning OC703 4" rigid fiberglass
    Knauf ECOSE 2" eco-friendly "fiberglass"
    GIK Acoustics Gridfusor diffusion panel

    and various foam products of many thicknesses

    Equipment Rack
    Omnimount RE27

    Sonax ML-1220 Component Rack

    Cables
    copper ones

    Control
    Google Nexus 7 tablet

    Power
    (2x) Furman PS-8R Power Conditioner/Sequencer

    Seating
    An uncomfortable futon

    Subwoofer Riser Platform



    zv6fMhbl.jpg KdVTS7bl.jpg 3DvmOmll.jpg Vl8v6cml.jpg
    Additional Construction Pictures



    a7V968gl.jpg VrnM1nxl.jpg mry8wt5l.jpg V92yv6Ll.jpg apwsvxwl.jpg jPxT4aSl.jpg

     

    • Like 5
  9. Not sure if tagging works the same here but ...

     

    @Ricci

    @electrodynamic

     

    Inevitably the new BHS-24 will get tested. The obvious question will be how different is it from the "regular" 24" driver.

     

    Should the new driver be tested in the same 15cuft enclosure or a smaller one?

    • Like 1
×
×
  • Create New...