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raynist

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Everything posted by raynist

  1. raynist
    Interesting after all of the comments about it being unfiltered. Did you it graphed yet? I wonder if film mixer will chime in regarding the filtering?
  2. raynist
    Thanks to Dave (bosso) for graphing scenes of some movies recently, but are any of the following movies in the cue? TMNT Dawn of the Planet of the Apes The Equalizer Thanks!
  3. raynist
    That looks great!! Thanks!!
  4. raynist
    Has anyone graphed the Equalizer? Thinking of picking this up today, but not if it is filtered.
  5. raynist
    Is Dawn of the Planet of the Apes in the queue to be measured?
  6. raynist
    Thanks for the new graphs!!
  7. raynist
    Earth to Echo sounds like it is unfiltered, especially at the end. There is a scene that goes on for over a minute. Just watched it - has anyone graphed it?
  8. raynist
    Hey, Where can I find the space shuttle launch posting? Thanks Ray
  9. raynist
    I really noticed the low levels. Posted about It in the AVS bass thread. I had it at -10 and it was still lower than most movies at -20.
  10. raynist
    Was flowers of war ever measured? Seems to have some good deep bass in the war scenes.
  11. raynist
    Any word on the new Hercules or battleship Yamato?
  12. raynist
    Have to laugh at the review below from bluray.com after reading and seeing your graph: "Making up somewhat for the film's minimally lackluster visual allure is an astoundingly effective lossless DTS-HD Master Audio 7.1 track that is awash in floorboard rattling LFE and near ubiquitous surround activity. From the very first sequence, when the huge thump of giants stomping through the forest outside of Half-Blood Camp sends reverberant shockwaves through the air, it's apparent this mix is going to be very aggressive. The film has a number of nice set pieces that allow full use of the surrounds, including the kids riding the Hippocampus and, later, using a canister containing the "four winds" to propel their life raft onward during their quest. The showdown with Chronos also provides another onslaught of well positioned foley effects zooming and zinging through the soundfield. Despite this sometimes noisy approach, dialogue is never sacrificed, and always is well prioritized and easy to hear. Andrew Lockington's score isn't especially memorable, but sounds fine in this lossless format."
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