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Infrasonic

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Everything posted by Infrasonic

  1. Single driver version? Have you looked into the Othorn design?
  2. Transparent. Heh. How ironic that a company that touts itself as "transparent", to the point where that is their fucking name, can make a product that is LESS transparent by adding components into the actual signal physically. Bravo. This is high end Hi-Fi, fellas.
  3. It was more of a general statement of circumstance. Of course, like you, I mostly get room noises when I push it hard.
  4. Bolded part: for real! Just when the getting gets good, they start making funny noises. Time to double or quadruple up on subs again. D'oh! or M.A.U.L dat shit Heheh... nice post, Josh. Always good stuff, my man.
  5. Are there any noticeable SQ differences between this and the Othorn's. As has been mentioned many a times and then general consensus is that the Othorn's were "great sounding". Do the Skorn's seem any different SQ-wise or is all about the same when you have this kind of fire power (no nasties til the ragged edge)? I put quotes cuz I've still never heard them.
  6. Hmm. I wonder how they would compare if you used iPal loaded Othorns for that comparison, Josh. I would think it would nullify any advantage from 50hz and down. Just a guess! But something I noticed...and it made me curious.
  7. Yes. That is part of the reason for having the Crowson. It will extend the frequency response however... you will have to be sitting down to feel anything below 35hz on your system.
  8. Need some bass plots of those parts. What's happening during those parts, John? Damnit. Don't post this stuff while I'm at work! I can't go check. Argh!!
  9. Likely lots of things, as most of the effects during the war sequences have all sorts of ULF accompanying these effects. However... I'm pretty sure it is Vince Vaughn's characters M3 grease gun that did it. There is a part at the end where he is firing it and my sub riser fluttered up and down like a mofo.
  10. Looks the same to me but this has more <20hz, sure. Same major humpage ~30hz like everything else mainstream these days. The tone of this bass track is *RUMBLE**RUMBLE**
  11. MrGrey posted this on AVS: Pretty much what I expected. Kinda looks like the first Avengers PvA. Picture quality is reference though, wow!
  12. I forgot what amp you were using. Can you enter in BEQ settings? Maybe there will be some preset for Tarzan to bring up that ULF. Right. The 2nd Jack Reacher movie ssssssuuuuuuuuuuucccccccckkkkkkkkkeeeeedddd.
  13. It was okay. I didn't love it and the trailers seemed to show the whole movie. I hate that. But it was enjoyable. Good performances and production value. Things looked and sounded real good. Not sure how often I'd re-watch it though. Worth a watch if you were interested.
  14. SVS typically tailors their subwoofers response to be flat anechoic. I'm sure they slice out any rising response if the driver has it with internal DSP shaping. Had these been passive systems where Ricci could dump a larger amp worth of CEA burst...it might look different. They like to publish nice pretty lines that are flat.
  15. It is more fun. I like to throw in that while sealed gets it done, it's just so inefficient in the process (producing <Fs content). I mean, c'mon... to even sorta achieve what I want to achieve I have FOURTEEN 18's in a small room and it's still.... not enough.
  16. Spent the past day trying to come up with alternate drivers with such features. I really...can't think of any. Hate to say it but you might have to look into high-end car audio but then things are expensive again. The past half-decade has been full of low cost, large-ish displacement (for the money) drivers and they are almost always higher Qes or something else making them otherwise unsuitable for such alignments. Frustrating.
  17. Wow! Excellent response about this new system, Josh. You answered my questions too. Thanks! What would you say about one of these compared to (2) Othorn's with 152's and equivalent amplification? Disregarding build differences (just performance) what would you say about that comparison? Do the differences come down to TH versus BP and their aspects or something else? There will be differences, I'm sure but I'm wondering. The consensus of the Othorn is that is one of the best sounding TH's around. I believe it! So I wonder if this has the same qualities to knock the Othorn off the podium. Thanks. Oh and can you model me a horn using HT18's? I want it to be tuned to 8hz. Keep it smaller, plz. Done by this weekend? Thanks! Sorry. Can't help myself.
  18. The model looks like it is loaded with IPAL's. Is that the driver of choice or does this work with the B&C 21SW152 like the Othorn? Do you think this is better than the Othorn in other aspects besides more output over the Othorn?
  19. Pfft! What are you talking about? This soundtrack was tailored for your Othorns. Just turn off the sealed system.
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